Perhaps the most pressing topic in the world of art and culture in the United States these days is the question of who will run the country’s museums. Between the financial constraints brought on by the pandemic and urgent matters of social justice, museums are in a tough spot: struggling to stay alive at the…
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After a tumultuous 2020 that involved the beginnings of a pandemic and worldwide upheaval, the art world began to slowly go back to a form of normal in 2021. Along with that shift came a number of developments that brought art-making in new and unexpected developments. There was the rise of a new medium, and…
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The winners of the Russian Art Focus Prize, an award for critical writing about the country’s cultural scene organised by the English-language magazine Russian Art Focus (part of The Art Newspaper network), were announced on Friday at the Viennacontemporary fair in Austria. The €6,000 prize is being split equally between two writers: the British journalist Theo Merz won “best publication” for his article “A tribute to the Russian avant-garde sets off a storm”, published in The Economist in 2019; and collective Agitatsia (made up of Dasha Filippova, Pavel Mitenko, Antonina Stebur, Vera Zamyslova and Anastasia Spirenkova) won “best research paper” for their article “Party of the Dead: Necroaesthetics and Transformation of Political Performativity in Russia during the Pandemic”, published in the online magazine ArtMargins.com in 2021.
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ast month, Amnesty International named the Cuban artists Hamlet Lavastida, Luis Manuel Otero Alcántara and four others as prisoners of conscience: “People imprisoned because of their political, religious or other beliefs who have not used or advocated violence.” Both artists, who are outspoken critics of government repression, have been held in maximum security prisons on trumped-up charges for several months. The statement from Amnesty is “a symbolic gesture to the many hundreds more who likely deserve the designation”, says the organisation’s Americas director, Erika Guevara Rosas, calling for the “immediate and unconditional release” of all those imprisoned.
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Full-time and part-time workers at the Brooklyn Museum have voted to form a union, Local 2110 of the United Auto Workers (UAW) has announced. The vote follows successful labour organizing efforts at a range of US museums including the Whitney Museum of American Art, the Philadelphia Museum of Art, the Museum of Fine Arts, Boston, the New-York Historical Society, the New Museum, and the Hispanic Society of America.
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After a year’s hiatus, Frieze London and Frieze Masters return to their respective tents in Regent’s Park this October, with 276 galleries from 39 counties expected to take part.
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The Neue Nationalgalerie, a masterpiece of 20th-century architecture by Ludwig Mies van der Rohe, has undergone “surgery” at the hands of David Chipperfield, a leading architect of the present century. His aim, he says, was to “return this beloved patient seemingly untouched except for it running more smoothly”.
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Far from the glitz and glamour of Venice or the shock and awe of Documenta in Kassel, Kosovo—a land-locked country that gained independence after years of violence during the breakup of the former Yugoslavia—is quickly becoming something of an anomaly on the biennial circuit.
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battle for the north Ethiopian state of Tigray, which borders Eritrea and Sudan. The conflict has killed thousands and displaced more than 1.7 million people who are now at risk of starvation.
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A 14-year-old boy has committed suicide by leaping from the Vessel, Thomas Heatherwick’s spiralling climbable structure in New York’s Hudson Yards development, prompting operators of the 150ft-tall attraction to close it down yet again. The decision comes just two months after the attraction reopened with revised security rules. A shutdown from January to May followed three earlier suicides that had unfolded in less than one year.
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